Scanning for Tigers
The problem, said the
optometrist,
lies with print. Eyes were never meant to read
but to scan for
tigers. To scan for tigers at a
distance, shift to a
close-up of one arm,
where a fallen insect
uncurls, walks
among hairs. Back again to distance, alert
for stripes among the
foliage. Mindful
of shadow among the
shadows,
conspiracies of
light. The eyes,
he said, were meant
for roaming. The eyes
were meant for
wildness. Print, in its ant parade,
tyrannizes. You can never look at a book
the way you look at a
woman. The woman
and the tiger share a
sinuous flow that lets
the eyes slip by,
even as they behold.
No grasping, ever,
with the woman or
the tiger, though
each may imprint upon the
retina a memory that
devours.
So which is more
dangerous? Books, too,
excite and
inflame. Banned and burned (and
come to think of it)
some women burned too.
Blake's tyger ignited
him. Every hunter burns.
We're on fire, he
said lastly, from all we see.
Books and men and
women turn to ashes in the end.
But the tiger remains
an ember.
Margot Farrington is the
author of two full-length collections, most recently Flares And
Fathoms
(Bright Hill Press). She is the
recipient of poetry fellowships at Norton Island and at the I-Park Foundation
in 2009 and 2010, respectively.
Forthcoming poems will appear in The
Broome Review and Cimarron Review.
A reading and interview are available via Art On Air International Radio
archives of 2010.
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