The little towns
contained enough to hold
in the eye
of one hand
towns overseen
by an abbey's rose window
filled with sky,
or the drowsing
ruins of a chateau
deeply stone
stone steeped
in the quiet
of centuries falling
and melting
like snow . . .
towns sealed
behind grey shutters
into the dilating afternoon
but for one spruce
stroller in black, who
stops, and our foreign car
speeding through
Music for One
(Andante, Piano Concerto #21 in C,
Mozart)
enters
the room
in chords
as deep as eyes
the piano, coruscating
like fountain jets,
answers from inside
my chest which lifts
and lifts
and falls
and falls and lifts
my breaths are oars
sluiced in liquid pearl
Now, again,
the whole orchestra—
full wordlessness
overflowing
from one hollow
into another
pouring from river
mouths in glassy
cascades
sheeting down sheer
drops
Judy Kronenfeld is the author of four poetry collections
including Ghost Nurseries, a Finishing Line chapbook (2005) and Light
Lowering in Diminished Sevenths, winner of the Litchfield Review Poetry
Book Prize (2008). Her poems, as well as the occasional short story and
personal essay have appeared in many print and online journals including Adanna, Calyx,
Cimarron Review, American Poetry Journal, Fox Chase Review, Innisfree
Poetry Journal, Natural Bridge, Hiram Poetry Review, Passager, Poetry
International, Spoon River Poetry Review, Stirring, Women’s Review
of Books and Pedestal, as well as in a dozen and a half
anthologies or text books, including Bear Flag Republic: Prose Poems and
Poetics from California (Greenhouse Review Press/Alcatraz Editions, 2008), Beyond
Forgetting: Poetry and Prose about Alzheimer’s Disease (Kent State
University Press, 2009), and Love over 60: An Anthology of Women's Poems
(Mayapple Press, 2010). She is Lecturer Emerita—after twenty-five years of
teaching in the Creative Writing Department at UC Riverside. Her new poetry
collection, Shimmer, will be published by WordTech Editions in 2012.
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