Used
Books
the writing of
our time most
likely to
survive is graffiti.
—Chase
Twitchell, “Skeleton”
A reader
highlighted two lines
but left me most
of the poems
untouched as
morning snow
for a Sunday,
late in a year
at the end of an
empire—my kids
still dreaming
their way down
twisted streets.
So I read,
and write to
you, who will sit
in judgment of
us, I hope,
above high tide.
I wish you
the best in
food, drink, sleep,
and long love.
I’ll let you
weigh what we
wrought and why.
Though I can’t
defend my bit
part, I gleaned
a few songs,
some poems whose
lines
work back
through our skin
like splinters.
You read this
(as I’ve dreamt
you) in a time
beyond my span,
and perhaps
you read from an
old book
with marginalia
to divert you.
A morning has
now grayed
itself into cold
existence.
Somewhere
students roll over
or rise to their
studies. The work
of our time
waits in each day,
as useless and
worthy as ever.
We go to it in
shame and hope
as you go to
yours. Forgive us.
Next Door
In the back of his garage (Christ,
how did he ever get past rakes,
shovels, a rusted former lawnmower,
five—count em—weedwhips
in various states of undress, an axe
a maul?) he kept a bench built
from scrap lumber in a fit
of optimism when they'd first
moved in. Gloria’d wanted him
to fix the screen door, so he made
room for a mitre box and hung a vise
on one end. Under a window he kept
assorted screws and nails in jars.
She split when he died
and left it to a niece and her guy,
but she asked me to help them
save whatever still had value.
We stand in the doorway a while,
as if letting our eyes adjust.
To them it’s just stuff they
have to move or toss. The roof
had always leaked a bit. I feel
them recoiling from layers of grime
on turps, oil cans, gas cans,
paints, and varnishes and edge
my way in, trying to show them
that it’s OK. They’d need tools,
at least some of them, not that
these two would ever know
how to use any of this. I drag
them in far enough to see drills
and hammers, screwdrivers and saws,
but I can’t say much. Here,
I want to say, he used these
wrenches when my pipes froze.
It might freeze hard again
this year. Under the bench, a bright
coil left from one last roof
repair. He’d only let me
steady the ladder for him. Here
are cut-offs from a swing he made
when my kids were small.
Cedar lasts forever, damn near.
Burning Up
They burn up crossing the sky,
these comet shards. We watch,
lying flat in a dark field
catching their traces to ooh
as each one passes. It’s
a slow night, I guess.
No raucous music or wild dancing,
only rocks blazing overhead
at fifty thousand miles-per-hour.
The chill between Altair
and Deneb swallows this
hot effort like a word
spoken into bitter silence.
The particles reach three
thousand degrees, which seems
a bit excessive just to thrill
a few campers, a curious child,
a couple lying in a soccer field.
Soon, kids will roam this park
learning to trap, dribble, pass,
and shoot, tramping through mud
enduring wind, learning to work
magic with feet. Magic, as well,
rules the night. Bats
devour mosquitoes by the gross,
navigating blackness by squeak
and beep. Weightless fireflies
mimic galaxies in our yards.
My wife sits up and takes
my hand. For years, our kiss
has hung, night by night,
waiting for us. Such a vast
neural catalog of sensation.
What but excess animates
our world? All who work
know how bodies melt
into sweat, how joints rebel.
We’re apt to demand our due
or harbor an ancient grudge.
But only the mad, amid
cosmic extravagance, refuse
a child or withhold a word
that may, released, ignite.
Michael Lauchlan’s collection, Trumbull Ave., is available from WSU Press.
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