Ares in the Third
Millennium
It's all right there:
The post office done imperially,
but unlit.
Its windows dirty and scratched,
secured well though inelegantly,
insignias faded, limestone stained
by water, smoke and mold.
Beside it, a church announces
there is only one kind of whimsy,
one kind of power, one far-off and fatal truth,
only one throne.
But the ads on the cabs,
bus shelters and subway entrances
proclaim the opposite, the million permeations,
in their squalid totality.
That's only one of the wars
being fought for my soul tonight,
though the contenders
in the near-incomprehensible scrum
of the early twenty-first century
say there is no war—
just the best of all possible worlds
at affordable rates.
Colin Dodds grew up
in Massachusetts and completed his education at The New School in New York
City. Norman Mailer wrote that Dodds' novel The Last Bad Job showed
"something that very few writers have; a species of inner talent that owes
very little to other people." Dodds' novels What Smiled at Him and Another
Broken Wizard have been widely acclaimed by critics and readers alike.
His screenplay, Refreshment—A Tragedy, was named a
semi-finalist in 2010 American Zoetrope Contest. Two books of Dodds' poetry—The
Last Man on the Moon and The Blue Blueprint—are available
from Medium Rare Publishing. Dodds' writing has also appeared in a number of
periodicals, including The Wall Street Journal Online, Folio, Explosion-Proof, Block
Magazine, The Architect's Newspaper, The Main Street Rag, The
Reno News & Review and Lungfull! Magazine. He lives in
Brooklyn, New York, with his wife Samantha.
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