FADING PICTURES
A leaf on the ground turns
to powder in the wind
as your sister spirit leaves.
Still you hear her everywhere,
in the door hinge that cries
or squeals her joy
a little less loudly each day.
They'll never fully fade,
these pictures where you find her again.
And you touch her again
in hair tangled in the brush,
in small depressions on the cushions,
in the dark when you brush
against her scented pillow
or hear the tap-walk of her feet
a little less loudly each night.
Her absence is a presence,
a breath you can never quite exhale.
DUALITY
No sun this Sunday.
Just fog along the walkway near the church
where Sunday suits and silk dresses
line up to go to Heaven.
I limp by in last week's jeans
stained as my face,
carrying my paid-for house on my back.
Their doors are open
but close quickly behind.
Question marks in the pews straighten
like bulbs stretching to the stained glass light.
But I follow the fog between light and dark,
look for a street sign, a detour
around another dead end.
Neither fire nor hymns for me.
I curse suffering no matter
which authority causes it.
Here before these fine people,
I dare not pass around
my collection plate.
That would be robbing God
who may need it more than I.
Nor can Devil afford my soul,
too heavy to carry, too thick to burn.
He'd resell it to God for a profit.
I'd be left outside the gates again.
In true mirrors Devil sees half a halo,
God a single head horn.
I cling to the fence between them,
their curious, outcast son.
Robert S. King has been writing and publishing since the
1970s. His work has appeared in hundreds of magazines, including The Kenyon
Review, Southern Poetry Review, Lullwater Review, Chariton Review, Main Street
Rag , and others. He is currently Director of FutureCycle Poetry, www.futurecycle.org.