the buckeyes start to fall. They skitter across the ground,
their green husks splitting open, spilling out nuggets
sleek as polished wood.
Down the mountain beside the mailboxes, hapless buckeyes,
lie squashed in the road.Others fall, as luck would have it,
on the roadside or tumble down the bank toward the creek.
Each day, I scuff through leaf litter
looking for ones whose shells are still intact.
Convinced that luck belongs to finders, I disregard
the mud slick beneath my shoes, rocks slippery with moss.
On good days, I arrive home, pockets teeming with luck.
I keep them in a basket by the window,
their blank eyes gazing nowhere as the luck
seeps elusively through the finely woven willow.
COLD INDIFFERENCE
After I have swept the porch, I walk from shrub to shrub
knocking snow from their leaves with the broom.
My nose has started to run, and bits of ice have fallen
into my unlaced boots.I make my way down the driveway
to the rhododendrons there whose leaves are curled like thin
green cigars.
I think of earlier snows, when I lay on the lawn making
angel wings with a tingling of champagne in my nose, when I
sat with my lover on a park bench kissing in the afternoon
sun.
These are the acts of my past, when indifference flooded
my veins like the cold dye of a myelogram.
Now I would be cautious, upright, fearful of unsought eyes
leering
at my indiscretions.Knotting my scarf around my neck, I use
the broom handle to slewfoot my way up the drive.I shed my boots
at the door, eager to be rid of socks soggy from the melted
ice,
of memories of earlier snows undiminished by the cold.
THE FEEL OF ASHES
Since your father's death, you've turned squeamish,
refusing even to pick a site for the dogs' ashes.
So the sprinkling fell to me.
Malone, coarse, grainy, like pulverized gravel.
The others, paler, powdery, more like flour.
Afterwards, the feel of ashes lingering on my fingers.
Now, weeks later, the ashes around the cinnamon rose
have settled, leaving specks of graying white
coloring the soil.As I kneel amidst them, auguring holes
for tulip bulbs, I feel once more the texture of ashes on my
hands.
You always keep your deaths remote, too distant
for the fondness of recall.Like your grandfather's pick
leaning idly against the garage wall.You'll lift its worn handle
and heave its point into the soil, what remains of his life
long subsumed into the texture of your own.
I set aside the drill with its spiraling bit and insert the
bulbs,
careful to nestle the stubby roots into the dirt. Come
spring,
their shoots will plow upwards through the dirt
with waxen blooms that hold against the wind.
So too I distance myself, the lingering feel of ashes
slipping from my hands like shards of grief.
Lynda Self’s poems have appeared (some under the name "Lynda
Yates") in Threepenny Review, Southern Review, Southern Humanities Review,
Southern Poetry Review, New England Review, Georgia Review, and Confrontation and in the Yearbook of American Poetry (1981, 1984,
1985). A number of poems also appeared
in a regional anthology entitled The Poet’s Domain (volumes two, seven, and nine).