In the night with a hidden bird singing in the great leafed
oak
that holds its acorns without understanding a single note
of the spreading universe of green, the fallow fox rises
from restless sleep to trot along on its slim legs under a
floating moon.
The coyote shrieks to its mate as the darkening clouds
gather, waiting
for the storm's voice to tell it nothing it doesn't already
know.
What is it that stirs uncurling on the black ocean's floor,
and what movement above in the stark heavens wavers
other
than the wind that has no body or mind but moves like a
human?
Much is hidden above and below, but here there are leaves
of grass, shrub, willow, and needles of pine that fall to ground
day after day and brown with time without speaking a word.
SKATING
In our basement the furnace burned
the anthracite I shoveled into a hopper,
its worm gear grinding like a train.
My hair was black as the lumps of coal
and curly as gulping blades of the shaft
that chewed the freezing night into dawn.
I used long iron claws to lift the clinkers
of iridescent gray and violet.
Into a bucket I'd drop them and carry
them to a waiting row beside the driveway.
In the basement I'd watch Father,
the band saw's voice screaming
at the mounds piling on the bench.
The first day I strapped on my skates,
I cinched their jaws into my soles.
There was a silver key my father tied
to a shoelace I wore about my neck.
When I stood up, wheels turned to wings,
and I flew to my knees, my temple
missing the workbench by inches.
Father took my arms to help me up.
The disappointed workbench said nothing.
The floor lay with its blank stare.
The furnace loomed, provider
of the fires of hell I'd heard the evangelist
scream about as he stoked our fears.
But a piece of coal cracked open and out
spurted a flame bluer than my father's eyes.
William Page's poetry has appeared in The Southern Review, The North American Review, Southwest Review, Nimrod, Wisconsin Review, The Midwest Quarterly, Kansas Quarterly, The Literary Review, Mississippi Review, Cimarron Review, The Chariton Review, Southern Poetry Review, South Carolina Review, Tar River Poetry, Ploughshares, The Pedestal, and in over a hundred and thirty other reviews, and in a number of anthologies. His third collection of poems, Bodies Not Our Own, received a Walter R. Smith Distinguished Book Award. He is Founding Editor of The Pinch and a retired professor of the Creative Writing Program at the University of Memphis.