The Voice at 3 a.m.: Selected Late and New Poems
by Charles Simic. Harcourt Brace Jovanovich, 2003.
A fork like a bird's claw worn around a cannibal's
neck. A dog writing a poem on why
he barks. Body and soul sitting on different stoops chewing the same piece of
gum.
Welcome to the world of Charles Simic, where the macabre and
ludicrous entwine in a lusty embrace. The landscape is surreal, film noir. The tone, matter of fact. The vision so quirky and off the wall
that you laugh until you cry.
Forget about God.
He hangs a sign that He's not to be disturbed. Forget about mother: a lion tamer with whip in hand. Forget about father: a successful
mortician, he's out falcon hunting.
History? Licking the
corners of its bloody mouth.
Death? Looking for someone
with a bad cough. As for the poet,
he has only a small, non-speaking part in a bloody epic.
In the midst of a bloody epic is where Charles Simic spent
his boyhood. Yugoslavia in the
1940s was a treacherous place to live, first occupied by the Germans; then
fighting a civil war; and later, when the Communists took over, plagued by
autocracy. Simic and his family
lived at the edge of starvation.
They were not alone. His
father was arrested by the Gestapo, but managed to slip through their
fingers. He made his way to Italy,
was liberated by the Americans and by 1948, had landed in Chicago. From him, Simic learned the survival
skill of cracking jokes.
With no word or support from her husband, Simic's mother was
reduced to bargaining with gypsies for food. Once she traded her husband's tuxedo for a live pig. Poetic justice, considering that an
earlier photograph of his father showed him smiling, wearing that tuxedo,
holding a pig under his arm. What
the photograph doesn't show is that shortly after he came upon a drunken priest
marrying a young couple and gave them the pig as a wedding gift.
To Simic a pig is not a pig, but redolent with memory. One Christmas, Simic carried a roast
pig in a pan. The pig was covered
with a newspaper because of the rain.
The road was slippery. A
gust of wind caused the newspaper to fly in his face, which caused him to tip
the pan. The pig slid against
Simic's chest and he was covered with grease. His mother tried to clean the stain, but the smell
lingered. Dogs followed him around
for months.
At 16, Simic arrived in the states and was reunited with his
father. They stayed up late into
the night, drinking, smoking, talking about jazz and philosophy. Back in Yugoslavia, all of Simic's
teachers thought he was a dummy and wouldn't amount to much. It must have been especially gratifying
for Simic when he received the coveted John D. and Catherine T. MacArthur
Foundation grant (also known as the "genius" award) and the Pulitzer
Prize and when he was named United States Poet Laureate.
Much of this can be found in Simic's Wonderful Words,
Silent Truth: Essays on Poetry and a Memoir. It makes for fascinating reading. In the meantime, we can feast on
Simic's tragic-comic cuisine – onions and potatoes surrounding a roast pig, an
apple in its mouth.
Poems cited: "Cameo Appearance," "Eyes
Fastened With Pins," "Fork," "Mummy's Curse," "My
Turn to Confess," "What the Gypsies Told My Grandmother While She Was
Still a Young Girl."
Barbara Goldberg is the author of seven books of
poetry, including three in Hebrew translation. Most recently, she
received the Felix Pollak Prize in Poetry judged by David St. John for The
Royal Baker's Daughter (University of
Wisconsin Press). Goldberg, along with the Israeli poet Moshe Dor, translated The
Fire Stays in Red, which contains
poems by the Iraqi-born Israeli poet Ronny Someck (Wisconsin University
Press). The two also edited and translated After the First
Rain: Israeli Poems on War and Peace
(University of Syracuse Press). The recipient of two fellowships from the
National Endowment for the Arts and numerous grants from the Maryland State
Arts Council, Goldberg’s work appears in 2009 Best American
Poetry, the American Poetry
Review, Gettysburg Review, Paris Review, and Poetry. A former senior speechwriter at AARP, she
currently is visiting writer in American University’s MFA program.
Contact info is at http://barbaragoldberg.net.
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