of leaking cans of tuna fish.
Calendars are clocks,
so are clouds, clowns,
whatever makes you know a time
has passed.A swelled head, a swollen belly,
they're clocks, tick toward
certain changes.
Easy things are clocks and
hard ones too. A rock's a clock,
and seeds that circle dirt
and sky. A tick without a tock, now
that's no clock, but arms
without heads, they are,
and water in a shaft, and
hurry-canes, them too, they know
how to use the quadrants,
swing themselves a wedge of space.
Wrinkles, did I mention
wrinkles? The way they crunch time
in a vise and let him out a
little at a time? Time's the gnome
that's locked in clocks. You
won't find wrinkles on a dead man's
lip.
You look, you have a chance,
next time.Nor knee cap either,
though
you might not want to check
that out. You take my word,
I know a clock when it's
moving and when it has stopped.
Words are clocks.They tell a time that's caught between
the tick
and tock where we all live.
They're always waiting, same as time,
between what is and isn¹t,letting everything that will be become,
same as grandfathers, who
couldn't stop what they started anyway.
TAKING IN THE WAIST
May merriment and the sensing
world forgive him
Who has forgotten how to sew
with dragonflies,
who has been persuaded by his
stylist
to find the bald heads of
vultures lack taste,
May the air be merciful to
him who disdains
The wonder of the lesser
finch its feathering,
the swoop and turn, the
laughing gulls,
the lazy ascent of the hawk,
the sharp fall.
May he who runs his tires
over the killed squirrel
for the sound, who makes a
festival,
of slapping tiny bugs to
smithereens,
be forgiven his abated brain
for such a being as he is is
yet a humanoid.
His swelling waist, his
groaning brain
mark him down as a creature
cursed to hear,
and what the mirror whispers
is just enough.
TEACHER'S PET
My
Johnny ain't no rose.
Learn
him.Don't smell him.
—Parent to teacher at PTA, 1898
These mountain women.Come in here, I swear,
Like wild goats and tell us
how to teach their kids.
The men are just as bad,
grunting and belching
Straight through my
preparation.The pigs.
I'd like to see that mother
try to show a strapping boy
How to find the hypotenuse of
a triangle,
Lean down to him and guide
his hand
When he stinks like a stuck
toilet, nothing less.
I'd just like to see
her.And the father too
Though what I heard, he has
gone to the city
These two months past, taking
his own smell
With him and good
riddance.Maybe I can do
What's right by holding Roddy
back. Teach him how
To speak himself right clear
and practice pen-
Manship.It's more than that mother will do,
For sure.And besides, he's big enough
To shoe a horse.It's about time he learned
There's other ways a woman
can be
Than her ill-favored
ways.I swear to cheese
Her Roddy is a boy worth
keeping on
Through harvest time. At
least by then he's grown
and ready for those wagons
coming down the road.
YACHTSMAN AT THE BAY OF
NAPLES, FLORIDA
There are pirates here,
dressed in mufti,
men who pretend they'd slit a
gizzard to slake
a vagrant thirst.They wear deck shoes
of modern manufacture so they
won't slip
on the blood from skin they
shave to prove
they still can and sport
blazers with emblems
of the hunt for par.There's one, though,
who admits it all, flies
skull and crossbones
at the mast of a boat that's
tethered
with the others like tender
goats.
He has both his legs yet, no
gout, and a patch
in contempt of the IRS and
callow youth
Who could never afford his
pirate ship.
He keeps two women he uses to
hide his age
From himself and the members
of the club.
Just before twilight, he
casts off and lets
the boat drift beyond the
shadows of the high rises,
pats his belly, counts his
pocket money,
Sighs for empire lost but not
for long
Then hoists the sail as if
he's free.
No trophy ship in sight, he
heads
Toward the setting sun to
conquer it.
He always does.The sun bows down,
Submissive to his will, and
that's enough,
Each time to turn him toward
the shore
Where midnight waits, and
wine, and chunks
Of boiled lobster he will
pull apart for sport.
Martin Galvin's new collection of poems, Sounding the
Atlantic, is just out from Broadkill River
Press (June 2010). Recent work has appeared in The New Republic, Sub-Tropics,argestes, Vulgata, the Delmarva Review, as well as in Innisfree. His work has won numerous awards, including
First Prize for "Hilda and Me and Hazel" in Poet Lore's narrative poetry contest in 1992, First Prize in Potomac
Review's Best Poem Competition in 1999 for
"Freight Yard at Night," and First Prize from Sow's Ear
Poetry Journal for "Cream" in a
2007 national competition. He was awarded a writer's residency at Yaddo
for August of 2007. In addition to his 2007 chapbook Circling
Out and his book Wild Card, he has two other chapbooks: Making Beds (Sedwick Books) and Appetites (Bogg Publications).