AN UNCLE IN OHIO
I'm browsing a
bookcase in the attic in Ohio
where, for
sixty years, my uncle slept.
Micky Spillane,
year after year of Ellery Queen,
and a catalog
of the outdoor life. On the cover—
a fisherman,
his rod bent double,
stands
thigh-deep in a mountain stream.
About half the
books are personal enrichment—
Will Durant,
Dewey on education, and Fromm,
The Art of
Love. On the table by the bed—the photo
of a dark-eyed,
angular women—my Aunt Jean.
She lived with
him in this remodeled attic,
hot as blazes,
then left.
They were
lovers, on and off, until his death.
The painting on
the wall is of a woman
in a bikini,
smiling from a fishing dock.
In the
background, vague shapes, possibly yachts.
Did it remind
him of a scene from his vacations
to the Florida
Keys? If so, he would have put on
a flowered
shirt—there are several in the dresser—
and met her for
drinks?
After
vacations, he returned to Aunt Jean, his books,
and this
painting. I don't know if it was a fantasy,
but it was
always there—a shapely woman
on a fishing
dock, forever inviting
an obscure but
enlightened man.
David Salner worked as an iron ore miner, steelworker, and machinist for 25 years. His fifth collection of poetry is Working Here (Rooster Hill Press, 2010). His work appears in recent or forthcoming issues of The Iowa Review, Isotope, and Poetry Northwest. His first published short fiction was nominated for this year's Pushcart Prize. He has been awarded grants from the Maryland State Arts Council and the Puffin Foundation and is currently working on a novel about the lives of hard-rock miners in the Old West.
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