The Deck
I loved playing
card games as a kid:
Rummy, War,
Crazy Eight, Slap Jack,
but Go Fish was
one of my favorites.
I had a special
deck of cards,
a different fish
drawn on the card face:
sawfish with a
long, toothed nose
sawing a piece
of wood; flying fish,
propeller beanie
cap on its head;
sunfish wearing
a pair of shades.
Do you have a catfish?
Go Fish! You never knew
what you were
going to catch,
but sometimes
you got what you needed.
Is that how
fishermen feel these days?
Can I have a Codfish?
Go
Fish! Each turn, I draw
something else,
a tuna, a goldfish.
Did someone
stack the deck? I begin to despair
of ever finding
a match. I give you
my last
flounder, then you ask
for a shark, and
I tell you to Go Fish!
Turn after turn,
I grow more suspicious,
the cards are
supposed to come in pairs;
we reach the end
of the deck,
still no match;
I panic,
look under the
couch, search the floor,
where could the
missing card have gone?
This will change
the way we play
forever, and suddenly
it doesn’t feel
like a game anymore.
Porch Sitting,
Washington, D.C.
There are approximately two good days
between winter’s chill drear and summer’s
swelter, days when the sun licks
your hand and the wind tussles your hair;
people crowd porches and sip Coronas,
the trees wear their new shirts, lime green,
and pollen’s blanket has been washed
from the sky, and the sky is an unbroken
blue dome bending overhead, as far
as the eye can witness. A good year
might bring more, three, four days, sometimes
a week—you never quite know ‘til they’re gone:
the sun begins to slobber and drool,
the wind’s gone home and the sky
presses down with its moist hands.
It’s not that people stop sitting
on their porches, just that the swamp
buried beneath this city reaches with fingers
like manacles from the grave to make sure
we share the torment of our presence here.
Jon Barrows is a
Maine native who recently relocated to Boston after seven years in Washington,
D.C. He has been a teacher and grassroots organizer and currently works as a
data analyst in the education sector. He has also organized events and
workshops around National Poetry Writing Month with Bloombars, a community art
space. His work has appeared in Boston
Literary Magazine, Cactus Heart, StepAway Magazine, and Written River.
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