Thrall
Still you court the world by
enacting yet once more
the ecstatic rituals of
enthrallment.
—Frank Bidart
Sorceress of the small
gesture: the slight upsweep
of hair, the blush that looks
genuine at first glance,
perfect fingernails at rest
on the cover of the magazine
in her lap and I am
sitting up rapt and
rigid, breath indrawn
and held until
the train jolts to a stop
and I look away and
see a small boy's face
flattened against the window
of the train on the other
side of the platform.
I try to catch his
eye but my train lurches
forward and I look back
across the aisle and she
is giving me her profile
now and I admire her
fine nose until in the next
station a jet fighter looms up
on an ad but what really
interests me is the cloud
behind the plane because
I love clouds and then
the train starts up again
and I look across the car
but she's gone and in
her seat is a man wearing
a very fine overcoat though
his face and hands are
filthy and his feet
are painful to look at
and I am wondering where
he got the coat when the train
pops out of the tunnel and
as we cross over the river
I look at the lights from
the highway bridge floating
on the water's surface
which for some reason
reminds me of my lover's
face shining up at me
from the pillow
You can never rest.
Gregory Luce is the author of the
chapbooks Signs of Small Grace (Pudding House Publications) and Drinking
Weather (Finishing Line Press). His poems have appeared in numerous print
and online journals, including Kansas Quarterly, Cimarron Review, Innisfree
Poetry Review, If, Northern Virginia Review, Foundling Review,
MiPOesias, Praxilla, Little Patuxent Review, Buffalo Creek Review, and in
the anthologies Living in Storms (Eastern Washington University Press)
and Bigger Than They Appear (Accents Publishing). He lives in
Washington, D.C., where he works as Production Specialist for the National
Geographic Society.
|