Doves
—for
Willie
X. Lin
Rivery, obliged to swell, we
saved
our compass-thoughts for
dawn:
a church’s snow-mute roof,
the steeple like a needle,
and the right
angle of its shadow. Cream
and age
played lightly on our hands
to remind us of a difficult
task we would not
indulge with our attentions:
as in a dream,
the birthday card we had to
sign
lay in a shallow pan of
water, our wishes dulled
by the words for them. We
felt oblique dismay
as when seeing turtles
breathing terribly
in similar confinement
overlapped. Just when
the eave-most continent falls
to the lawn’s
erasure, we feel possessed of
a carefulness
not used in time to spare the
wingless things
impatience, but grounded too
by the notion we could rise.
Half Whisper
The purr of sugar
as it spills to the
floor.
I can see the mice
converge
on the tinkle and gush
of news
like cash or scandal
dropping.
This is how to empty
the walls,
I thought, waking from
a painted nap,
the stripe of sweet
trailing me
into every room in
which I worried
the rodents might
reside. I moved
by hunches. On the
couch I felt
a light
solution—demeanor of puddles,
dream observance of
wind. Then,
in the kitchen again,
was distortion
on the range—silver
allée
between simmering
pots, and a corner
turned in my face. I
like the fire,
better, I think,
because he’s
the one here with me,
not
the away one,
invisible
to his very source.
I think too to say so
but the pots are
hushing
and one of them spits.
You’re
still here they say. It’s down
beneath us that’s the
oven. You missed.
*
Painted were
stalactites,
stalagmites. Painted
was how
their curvy hazard was
remembered
in miniature as the
sedulous mouths of ants—
ants because there are
smaller things
than mice that must
come first.
Alec Hershman lives in
Bangkok, Thailand. He has received awards from the Kimmel-Harding-Nelson Center
for the Arts, The Jentel Foundation, The St. Louis Regional Arts Commission,
and The Institute for Sustainable Living, Art, and Natural Design. More of his
work appears in forthcoming issues of Cimarron
Review, Western Humanities Review, The Adroit Journal, Bodega, and Cleaver Magazine. More at
alechershmanpoetry.com.
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