The Innisfree Poetry Journal
www.innisfreepoetry.org
by Katherine E. Young
BUTTERFLIES
The Methodist Church sends cassettes each week; in Granddaddy’s sickroom we play them back. Aunt settles in her chair, snaps string beans in a bowl, blesses the spell wrought by psalm and sermon, old-time hymns wrung from a brass-lipped choir--magic to still the fluttering limbs, the palsied mouth now routinely convulsed in agonies of incomprehension . . . . Out in the kitchen, Grandma revisits her old wrongs: what Cousin Gert said that time in ‘thirty-four, how she settled Gert’s hash; then she shifts to the time the minister dropped by, the table piled high with that day’s dirty dishes, and my! what the minister must have thought of her poor housekeeping. In the yard, a collection of wagon wheels, sprung from their axles and fixed in paint, pinned like dead butterflies to the fence posts.
GRANDMA'S HOUSE
My mother paid to put in plumbing, pushed back the wedding date so her bridegroom’s kin would never know there had been an outhouse. But the big house remains a running sore, its hurts scabbing, cracking, tearing anew: the whining of those precious pipes — tell-tale minerals scale the sinks — now of a piece with the bowed ceiling, the permanently sloping floors, the nests of voles, the smell of wood smoke even in high summer. Grandma sits in the kitchen, still as an icon, while the walls around her buckle and bulge. In the unused rooms, the litter of ghosts ferments the air: tarnished shaving brushes, moldy pillows, plastic flowers. Old quilts lie piled, not Wedding Bands or Lovers’ Knots, but scraps pieced together any old way by women with no leisure for fancy needlework. Once I found a treasure there: tiny silver ring nestled in the quilts, its surface incised with what might have been flowers. “They said my great-granny had small hands,” my mother said. “Died by a rusty needle: tetanus, of course.” We went on turning over quilts, as if there might be more secrets hidden there. As if we might find some reason, some justification for the pain and poverty — some purpose rare, remarkable, ennobling. Not just refusing to quit when beaten, not plain cussedness. Not the simple pulsing of protoplasm, mad multiplication of atoms, molecules, cells, all straining to produce our unremarkable selves. The old quilts breathed out their scent of mildew, of dead moths. Downstairs, I heard the plumbing rattle and groan, heard the shouts of the men driving cows to be milked. Beneath my feet, the floorboard creaked as I took the ring and slipped it on my finger.
GRANDMA AT NINETY
The difference between silver and gray: alchemy, gradation of metal, fur, ash, of wisdom. Gray is the old linoleum, the support shoes, the curls frizzled in her hair by an indifferent beautician each third Thursday of the month…. Silver was the band they placed upon her head, the dials twirling in nerveless hands, silver the color of her voice when the lightning shot through.
MENTAL HOSPITAL
Comes a sudden sigh — blown by wind, perhaps — moan of tassled stalks groping towards the sky.
Pumpkins gleam nearby. Moonlight slants across empty buildings now shuttering their eyes.
White stones mark the path. (Broken down, they fell.) Dead leaves dance these nights, curling on themselves.
V-E DAY
Staunton, VA, 1945
A child of nine in Sunday clothes sits up in the high seat while her father pilots the farm truck towards town. Daddy, too, wears dress-up clothes; the child sees small dots of sweat banding where his new hat meets his forehead. Along the road, the country people have hung out flags, children shout, dogs bark, music floats from radios, follows in their wake. The child fingers blue ribbons Aunt Etha knotted around her pigtails, considers all she’s heard of soldiers, Cousin Raymond coming home, no more ration cards, Pauline and Frances waltzing across the kitchen when the happy news came. May sun beats down on the fields, on chicory and milkweed in the ditches, on cattle, on the flocks of sparrows twittering in the yards as they near the town. In the streets strangers wave, rockets pop, a band plays at the high school. As Daddy slows by the hospital gate, a boy trailing red, white, and blue streamers runs up beside the truck, he’s shouting now, she smiles down at him, hears Daddy saying “Pay no attention,” at the same moment as the boy’s shrill “Loony bin! Loony bin!” She watches the boy’s face contort just like her mother’s when the words failed, jaw muscles working the empty air. Here is Mother, expressionless, smooth, waiting on the porch with her suitcase to brave the journey home.
© Copyright 2006-7 by Cook Communication
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