The Innisfree Poetry Journal
www.innisfreepoetry.org
by Judith McCombs
WHEN TOWERS BURN Should smoke refuse to rise, or drift? Should the whorling, windswept earth stand still? Should time slip back, and thousands live where ashes blazed and towers fell? Fire of safety, shelter, light; fire of magma, terror, war: how many cities torched the sky before these burning pillars soared? How many thousand lives fed flames before our histories began? The man necklaced with a burning tire: the fleeing child, her skin on fire: the men consumed who flew those planes like burning spears into the towers that rose and flamed and fell as ash: these images replay, endure. Letters and flowers for the lost surround a pit of smoldering grey. We breathe the embers and the dust of those who found their stairwells flame and those who raced the flames to save till stairs and floors plunged down through flame. Smoke takes its ancient, coiling shapes, divides like clouds, drifts out like spores to seed the swollen whorls of sleep, the waking chaos blooms of war.
AT THE BRONZE-AGE CITADEL Here where so much has happened not much will happen again. We pass unchallenged through the gate of lions, shaking the dust from our tourist sandals, presenting our swordless, shieldless sides to the chambers guarding colossal walls nine chariots thick, nine chariots high. Empty these three thousand years. We circle the stone-ringed burial shaft where a gold face mask of the beardless king was found with bits of skin attached-- the king now proved not Agamemnon but of earlier lineage, long unsung, whose gleaming mask lives on. We are led past doorless, roofless shapes of store room, throne room, altar-scar. We climb worn steps to the highest place where kings slept safe, a stair so turned one warrior could hold off a score. Stub teeth of stones, still warm. Outside, beyond the sortie gate, I take a path that wanders back to an earlier fort and altar space, a rise of stones from a time so bleak that only the ants seek treasure here, only the dust restores. Yet someone has scythed these thistles and grains, laid down the bright sheaves like spears after battle. Someone has heaped the narrow white shells of a small land snail, gleaned from the ruins, as if they were offerings, or a fleet of white hulls becalmed in a windless gulf. Sunlight and clouds scour the dark plain. From the heights the old stories drift down like gods taking shape in a blind man's song. I take three shells in my hand, and descend.
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