The Innisfree Poetry Journal www.innisfreepoetry.org by Grace Cavalieri
Rilke and Rodin in Paris
What can a 26 year-old writer who can barely speak French— and a 60-year old sculptor who only speaks German— talk about?
What truth did they hold together that mattered to no one other than themselves?
What moral arguments did they confront? the one with the muscular hands— the one with the lyrical mind—
What human sentiments could possibly appeal across their cultures?
Perhaps something they had in common was the beautiful Camille Claudel who lived in Rodin’s studio.
Surely she sat outside their lives as she stretched naked posing for Rodin.
Perhaps to thwart the cold, she shifted her body from side to side, catching Rilke’s eye before he turned away.
Oh poor Claudel staving the drafts shivering on her bed hour after hour while the purposeful Rodin fulfilled his intentions.
Rilke, no longer able to ignore the apparition, walks across to rub her white legs and press her hands in confidence.
She looks at him with measured appetite maybe sorrow and something else like translucence.
Tomorrow, perhaps he’ll bring her flowers—become a cultural companion, perhaps bide his time for a sip of wine.
Claudel is among Rodin’s many successes— in fact, she formed so many pieces he liked, they became different versions of his own.
And that’s why Rodin carved his own name on the bottom of the white cast clay made by Claudel.
We cannot prove a crise de nerfs nor how a mind unlike our own feels to have her work stolen.
Maybe she wondered what to do. Maybe her thoughts were of unimaginable blood thirsts.
But one sunny day when Auguste Rodin was away surely she lay beside Rainer Maria Rilke with determination and not just a little talent,
for they somehow shared a belief that something inside themselves could not be taken away and thus Rodin’s mistress
became Rilke’s lover. Claudel climbed into the big bed in the middle of the world. And that was her revenge.
Did you think Love comes from nothing?
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