The Innisfree Poetry Journal www.innisfreepoetry.org by Philip Dacey Elizabeth Wolff: Cento Sonnet at Her Piano Master Class “The word I love best in Lorca is ‘quiero’—‘I want.’”Pronounced key-air-oh. And roll the “r,” please. What do you want and when do you want it? I want to be all want, not someone who when asked what he wants says, “I don’t care.” I want to care about wanting. Quiero. Yes, but want what? I want to become the music of the word “quiero” so that I cannot be translated without the loss of the very syllables of myself. I want to carry everywhere with me the single hard sound of “want,” like a stone I can take out and pass from hand to hand whenever I want, loving its heft. But mostly I want to want nothing, that greatest of all objects of desire, the heavy key that falls through the air and — oh — opens everything. Rondel for Rilke Rilke left his daughter in a Berlin flat to tryst with angels only he could see. He hit the road to chase down poetry. Home is no place for a poet to be at. Since artists need their freedom to create — and wouldn’t wives and children all agree? — Rilke left his daughter in a Berlin flat, preferring angels only he could see. No one would call him a domestic cat. He said to stay in one place is to be nowhere; dad and daughter lived so separately, she didn’t recognize him when they met. He left his daughter in a Berlin flat. Copyright 2006-2012 by Cook Communication |