The Innisfree Poetry Journal www.innisfreepoetry.org by Jenna Le
Birthmark
Born with a birthmark splotched on her right cheek and none on her left, she harbored in her lopsided noggin since toddlerhood the barmy thought that asymmetry was what made the world tick.
When things were viewed this way, they all made sense: the fact that one of her parents was tall, one stout; the fact that Mother chirped all day, while frowny Dad just grunted—“Yes . . . No . . . That’s what I meant”;
the fact that her big brother always got the gooier slice of cake, the heirloom watch, the coo of praise. All things in life, even love,
are skew, mon chou! the cosmos seemed to taunt. A lady, she always dated two men at once: one she fawned on, one she kept in reserve.
Terence Tao Has Tarantism
tarantism, noun. An uncontrollable impulse to dance.
Much-medaled mathematician Terence Tao appeared on The Colbert Report last night. High priest of Fibonacci, pink-clad knight of the prime numbers, he did not kowtow to the comedic antics of Colbert but kept his poise, explaining with aplomb de Polignac’s cracked quest to plumb the primes’ deep mystery. I watched him bare the secrets of sage Euclid on the air. I once was a math major and am still the daughter of a math professor. Heir of a soft spot for up-and-coming Plancks, I grew quite giddy watching: Tao sat still but seemed to me to twirl across the planks.
Punch Clock
At my old job in downtown Flushing, we had to punch in and out by touching our index fingers to a screen. When I tried to do this, the machine crowed, “SYSTEM ERROR. SYSTEM ERROR.” Each day, I had to phone up Jerry, the weedy, pale man from IT, to sweet-talk the time clock for me.
Like a latter-day horse whisperer, he thumbed the buttons spiritually. “Sure you washed your hands today, Ms. Le? If you’ve oily skin, the sensor can’t see your fingerprints.” When I responded that yes of course I’d washed, he handed me a towelette with a soppy grin, saying, “Well, why not wash again?”
And so I scrubbed my hands once more while he watched me scrub them. No cigar. The time clock still refused to function. “Ah well,” sighed Jerry with compunction, “Looks like no matter how you rinse, it doesn’t like your fingerprints. Hasn’t had a glitch since being installed . . . . Seems you’re not human, after all.”
Chanteuses
1. “Listening to the Bothy Band”
Tríona sings an Irish tune, a rustic old lay. Lay. Delay a sec, mull that word like a rune: Tríona sings—an Irish tune— while I lay my brow on pillows, swoon, recall ex-loves, lays of past days. Tríona sings an Irish tune, a rustic old “Lay, Lady, Lay.”
2. “Listening to Guanqun Yu Sing the Part of Leonora in Il Trovatore”
Coloratura, cabaletta: The words elude our comprehension, making us wish we were smarter, better. Cabaletta, cavatina: Though the words are opaque, Yu’s sweet demeanor wins our hearts and grips our attention. Cavatina, coloratura: Hark, xenophobia’s extinction!
3. “Listening to the Bar Singer”
Sparrow-like, she warbles in Vietnamese, perched on stage in ghost-white áo dài, stilettos so tall it seems that she’s sparrow-legged. She wobbles. The Vietnamese stragglers look on her with unease, while the drunken tourists nostalgically sigh. Despairing, she warbles in Vietnamese, perched on stage in ghost-white. Ow! Ai!
4. “Listening to the Barn Owl Making Noise Behind the House”
Folks fear her, call her “monkey-faced” because her eyes slant toward her beak. Her song’s no song but a snarl, laced with sneering. Call her “monkey-faced” and she’ll know at once your lack of taste, your low pedigree, your rodent reek. Then fear her. She may be monkey-faced, but there’s brains behind her widow’s peak.
5. “Listening to Amy Winehouse”
Lots of svelte cute white girls sobbed when she died, but those who mourned her most were frights like me: dark-skinned, snub-faced, scarcely more tall than wide. Some well-heeled worldly dames wailed when she died, forgetting that they once had frothed with snide quips about her bedhead and thrift-store tee. Folks who’d never been friendless canonized her after death . . . . Her purr was all to me.
6. “Listening to Lita Ford”
The jukebox belts out “Kiss Me Deadly”; the songstress chimes that love is cheap. I wish that I could say yes readily to jukebox waltzes, logodaedaly that furtively flirts, a torch song medley. But I have promises to keep— The jukebox exalts, but kissing’s deadly; though songs cost dimes, love’s price is steep. Copyright 2006-2012 by Cook Communication |