The Innisfree Poetry Journal www.innisfreepoetry.org by Jean Nordhaus
Scherzo
The conductor has lost his baton. In a fit of passion, he hurled it skywards and now the orchestra is galloping on without him, the trumpets stampeding, the oboes braying, the tubas galumphing their elephant polkas. A fistfight has broken out in the chorus, the tenor has fallen in love with a flute, and the violins are caterwauling, Woe is me. Is me. O, love, the cellos sob. Mother is hiding in the flugelhorn, the children are sliding trombones, and Grampa has jumped on a kettledrum and dances a jig with his wooden leg. The soprano is weeping: Musickers, back to your stations! Too late. The maestro is dead. The bassoon has run off with a piccolo and the hump-backed piano has folded her lid and is waddling away.
Stanzas for My Brother
You and I are the only ones who still remember the blue car he pedaled up and down the walk— our baby brother with the huge teeth and straggly bangs. We seldom talk of him now, the absence builds an empty room between us. He’d be 56 today, rabbit-life hurtling away—the boy, the car, the pebbled walk.
* You drew a map of Grandma’s old apartment and we walked our fingers through the tiny rooms: pocket kitchen, hall, the parlor with its console radio and nodding Buddha Herbert brought home from the war. The long pink tongue rolled in and out of its hungry porcelain smile. I’ll eat you up, said the smile. I’ll eat you up.
* Time eats everything up. Eats boys. Eats grief. Sometimes when you laugh, I hear our father’s sharp, staccato yelp of glee. Some of him that lives for me in you. Memory fills the final room. A stripe of sun. My hand moves across the page, in and out of the light. That’s how the past comes back, how it all comes back when you laugh. The Weavers
Nowhere in the legend do we learn what Helen wanted. Was there will or wish or mind behind the face, the blinding breast?
As if she were an island or a strategic peninsula—
We’re told she was a weaver, faithfully inscribing on her loom the war she witnessed on the plain before her,
not unlike Penelope,
that plainer wife, whose story was all about waiting, the one who unraveled her work each night— her canvas, a field of erasures.
At the Emily Dickinson Marathon Reading At the sign-in, they handed us marking pens and those ugly, stick-on name-tags so ruinous to clothing.
I was tempted to write “Nobody” on mine, but it seemed wrong to draw attention to myself
that way, so I wrote my own anonymous name on the badge and joined my
voice to the others.
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