| The Innisfree Poetry Journal www.innisfreepoetry.org by Dan Pettee
 
 
 
 Bypass There are circuits and short circuits, both
 of which invoke a language full
 of indirection, subterfuge, and humor with
 a leavening of rue—the usual
 grades of truth that pass for perilous wisdom,
 images proffered like platters spun on
fingertips,
 or dervish dancers giving place to whim,
 or racers at the margin, pulling out all the
stops.
 
 Always, there are certain signs along
 the way, trimmed fingers on the pulse and flow
 of messages that often don't agree
 with all the patterns drawn, conclusions lost
among
 gyroscoping theories cast like tangling fishing
lines
 into a roiling sea, ideas like driftwood shards
 which coalesce like drops of blood—or frozen
words
 crawling like runners up unfamiliar lanes,
 
 stairways to nowhere, maps along the
rain-stained wall
 like photographs of loved ones long departed
 for another world, with no directions given,
 no ticket punched, no tarot tossed or flung.
 You know, when all is said and spun, that
everything
 is lost, broiled in a witches’ oven,
 wrapped in plastic, images supported
 by clouds that drift above the frozen chaparral
. . . .
 
 
 
Decline and Fail
 
 The river slithers through
the leafy grovelike a clothesline fallen in a bed of grass
 grown green as shamrocks in the midday sun—
 and then it disappears to underbrush
 before the waterfall which roars unbridled
 through the sun-drenched waning of the
afternoon.
 
 He stands before the water pooled
 some twenty steps beyond the falls,
 stands and skips a flattened stone across
 its placid sheen—third and final try.
 He smiles a rueful smile, remembers stones
 skipped across the ocean's spreading calm,
 
 times when the arm was firm and finely muscled,
 the step had easy spring, not dead and rooted
weight,
 when the smile was true and truly spread
 a glow, a nimbus faint enough almost to see,
 and all who were its targets turned right to,
 smiled and bought the cold hard thing of
things.
 
 But that was all to change, in frantic stages,
 like a slowly turned and finely traced
kaleidoscope—
 image after image, message after message,
 until the shifting tides of favor
 swept him off his predetermined course . . .
 and his tragically real sea
legs were lost.   ***
 
 Lost, too, the vision of
the beckoning future,the heat and hurry of the spotlight’s beam,
 the glow within the smile, the sparkle
 in the grin, once so surely in demand. All lost,
 though not all at once—in starkly naked
increments.
 Like notches on a gun barrel, or cryptic notes
 
 scribbled in cramped spaces, once archetypes
 of pure progress, now the RPMs of a motor
 off a cylinder or two.  Gone,
 all of it gone, and in the twinkling of
 a jaundiced eye, and the mailbox
 empty as a trodden, sodden mind.
 
 And now?  He lives behind closed doors,
 shuttered windows, clouded, closeted dreams—
 family split and gone, old friends
 with new phone numbers known not to him.
 Only his aged and widowed mother there
 to keep the links of life from shattering.
 
 He carries extra weight, in body and mind,
 and doesn't wear it well, his public face
 a frozen, fretful mass the people of his place
 too seldom see. The days roll on like endless
tides
 and only memory's successes, fragments stitched
 like paper dolls within his errant mind, enable
 him to sleep, and dreams provide enough
 to wake him daily as he awaits the final truth
 that's sure to set him free . . . .
 
 
 Copyright 2006-2012 by Cook Communication
 
 
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